I have been knee-deep (sometimes literally) in working on zombie stuff for the shoot I have coming up March 13th, but today I have to deal with a different kind of hoard. That’s right ladies and gentlemen Prom season 2013 starts today (ridiculously early)! That means non-stop formal makeovers at my day job and being covered to my elbows in glitter by the time I leave.

Teenage girls dealing with what they believe is “the most important day of their life” is exhausting, and that’s on top of the physical exhaustion that comes with doing face, after face, after face. People like to assume that there isn’t much involved physically while you’re doing makeup, allow me to break it down for you like this:

  • Standing for hours on end is hard work. Just to be standing up-right and balanced you’re using your leg, back, and core muscles.
  • Add to that your height and the height of your client. I’m 5 feet tall… most of my clients are a good bit taller than me (even the teenagers). For me there’s usually a good bit of reaching up and standing on tip-toe. For someone taller than me there’s going to be a lot of bending and stooping.
  • Eyes are a very small part of the body and central to any makeup application, especially formal makeup. It requires precision, careful attention to detail and symmetry. Working with steady hands requires a lot of muscle control in the arms. You know that feeling you get in your arms after you’ve been holding a curling iron in your hair and you’re only half done? Try doing that on six different people back to back, only you’re holding a tiny brush and trying to make things like very straight and even lines… while all of the muscles in your body are working to keep you balanced because you are either bending over your client or reaching up to them.
  • Engaging the creative part of your brain, while exciting and seemingly effortless for an artist, is very draining. There are TONS of things at work all at once in your head when you are working on a face. You’re balancing colors against each other, you’re considering the over-all look, facial structure, light and shadow, where to enhance and what to cover, and then filing through lists of products and narrowing it down to what is appropriate to use.
  • Last- running from product… we’ve all worn pedometers in the store and it’s amazing how many miles you can walk without even realize it just moving around the store gathering product.

Now consider all of that going on at one time, with the pressure of mothers standing in watching every move you make and asking questions the whole way through, and a client who expects that by the time you’re finished with her she’s going to look in the mirror and see Taylor Swift looking back at her. It’s hard work. Be kind to your artists =).

zombie prom